Framing Your Needlework












Framing your finished needlepoint is one of the most rewarding steps in the entire stitching journey. Whether it’s a 4×4 coastal ornament, a Nantucket-style eyeglass case insert, or a statement pillow front you want preserved forever — proper framing protects your work and turns it into art.
But framing under glass must be done correctly.
Let’s walk through it the BeeBee way.
Before anything touches a frame, your piece must be properly blocked.
Needlepoint can shift while stitching — especially on 13 or 14 mesh — and blocking ensures your design is perfectly square and crisp. A professional finisher can do this, or you can lightly dampen and pin it to blocking boards yourself.
Never frame a warped canvas. Ever.
If you remember one thing from this post, let it be this:
Your needlepoint should NEVER touch the glass.
When fabric rests directly against glass, condensation can form — even in climate-controlled homes. Over time, this trapped moisture can cause:
Spacers create a small air gap between the needlepoint and the glass. They are usually thin strips hidden inside the frame under the mat. Some framers automatically include them — some do not.
Always ask.
This small detail protects your piece for decades.
Not all glass is created equal.
For heirloom pieces, consider:
If your needlepoint includes silk threads, specialty fibers, or hand-painted details, UV protection is especially important.
Sunlight is beautiful. It is also ruthless.
Humidity is the quiet villain of textile art.
Needlepoint is made from natural fibers — cotton, wool, silk — which absorb moisture. In high humidity environments, this can lead to mildew growth.
To prevent issues:
If you live in coastal or humid areas, this is especially important.
Moisture damage is preventable. Once mildew sets in, it’s heartbreaking.
The back of your framed needlepoint matters too.
Use acid-free backing materials and dust covers. This prevents:
A properly sealed frame keeps your piece clean and stable long term.
Sometimes you rotate decor seasonally. Or maybe you’ve stitched faster than you can frame (we’ve all been there 😉).
Here’s how to store safely:
Textiles need airflow. Plastic traps moisture.
Your needlepoint isn’t just decor.
It’s hours of stitching.
It’s quiet mornings.
It’s thread pulled through canvas one stitch at a time.
Framing it correctly ensures your work lasts for generations.
Take the extra step. Ask for spacers. Protect against moisture. Use conservation materials.
Because beautiful things deserve to stay beautiful.
If you’ve ever shopped for needlepoint canvases, you’ve probably seen two terms used often: digitally printed and stitch-painted. At first glance they may look similar, but the production process, stitching experience, and pricing are very different.
Let’s unpack it.


A digitally printed canvas is created using a printer that transfers the design directly onto blank needlepoint mesh using ink.
Digital printing allows designers to produce canvases efficiently and at scale, which keeps prices lower.


A stitch-painted canvas is painted by hand, one stitch intersection at a time, to match the stitch grid precisely.
There is no “freehand” painting here — it is methodical and technical.
Because it is labor-intensive craftsmanship.
Let’s be real — painting 3,000 to 10,000 tiny stitch intersections by hand takes time. A 4×4 inch canvas on 14 mesh contains:
56 stitches across × 56 stitches down = 3,136 stitches
That means over 3,000 individual paint placements — by hand.
Now imagine a 5×7 or larger piece.
You are paying for:
It’s not mass production — it’s artisan work.
Here’s something many stitchers don’t realize:
Both digitally printed and stitch-painted canvases begin the same way — from a chart.
A chart is a gridded design where:
For digitally printed canvases:
For stitch-painted canvases:
So the artistic planning stage is identical.
The difference is in how the design gets onto the mesh.
It depends on what you value.
Choose digitally printed if you:
Choose stitch-painted if you:
Neither is “wrong.” They simply serve different needs and price points.
Needlepoint is already a labor of love. Whether the canvas is digitally printed or stitch-painted, the real magic happens when thread meets mesh.
But understanding the difference helps you appreciate why prices vary — and why hand-painted canvases are considered heirloom-quality investments.
And honestly? Once you’ve stitched a perfectly painted stitch-painted canvas… it’s hard to go back.
Choosing the right thread for your mesh count is everything. Too thick? Your stitches look bulky and crowded. Too thin? You’ll see canvas peeking through — and nobody wants that.
Let’s break it down clearly so your stitches look smooth, full, and professional.


13 count mesh has larger holes, which means it needs a heavier thread to properly cover the canvas.
These threads are thick enough to give you beautiful, solid coverage without doubling strands.
If your canvas is 13 mesh and you’re seeing canvas through your stitches, your thread is probably too thin.


18 count mesh has smaller holes, so you need a finer thread for smooth coverage.
On 18 mesh, bulky thread will make your canvas stiff and distorted. Finer thread keeps everything elegant and balanced.
| Mesh Count | Hole Size | Thread Weight | Look |
|---|---|---|---|
| 13 Count | Larger | Heavier silk or wool | Plush, bold |
| 18 Count | Smaller | Finer silk, cotton, specialty | Detailed, refined |
Coverage isn’t just about thread weight — it also depends on:
When in doubt, stitch a small test area first. Your eyes will tell you immediately if the coverage feels right.
If you’re designing your own canvases (which I know many of you are 😉), choose your mesh count based on the final look you want:
Both are beautiful. It’s just about intention.
Suitable for hand embroidery, cross-stitch, DIY crafts, making beautiful decorations for your bedroom/wall/home, you can also use them to make gifts for your lover, weave friendship bracelets for your intimate friends or decorate your braids and so on
When stitching a needlepoint canvas, one of the most important — and often overlooked — best practices is leaving extra rows of blank stitches around your design. Professional needlepoint finishers strongly recommend allowing at least 1 and half to 2 inches canvas beyond the stitched design area. It also helps to stitch a couple of rows of same color around the borders of the stitched design.. These additional rows provide the necessary working margin finishers need to properly sew, mount, and shape your project into its final form. Whether your project is becoming an ornament, pillow, acrylic insert, door hanger, or coaster, this small detail plays a major role in the final quality of your piece.
Needlepoint finishing requires secure stitching and precise construction. Finishers use the extra canvas edge to sew seams, attach backing materials, and create clean edges without disturbing your decorative stitching. If a design is stitched too close to the edge of the canvas, finishers may be forced to sew through or directly beside decorative stitches. This can cause distortion, thread damage, or uneven shaping. Leaving a buffer zone keeps finishing tension on blank canvas instead of pulling against stitched areas, which helps preserve stitch definition and keeps your finished needlepoint looking crisp and professional.
For needlepoint designers, stitchers, and anyone creating canvases for sale, planning for finishing margins should be part of the design process from the very beginning. When charting digital patterns, painting canvases, or calculating stitch counts, always include this finishing allowance in your total canvas size. Not only does this make finishing easier and safer, but it also increases customer satisfaction and reduces finishing complications. Taking this extra step ensures your needlepoint project transitions smoothly from stitching frame to beautifully finished heirloom-quality piece.
Stitch a couple of rows beyond the border of stitched design in same same .
Leave 1.5 to 2 inch minimum of blank canvas around your stitched design
More may be needed for larger or specialty finishing projects
Always confirm with your finisher if unsure
“Before sending your canvas to the finisher, block it using stainless steel T-pins.
To keep edges square and ensure those extra rows stay even, a blocking board makes a big difference.
A good pair of sharp embroidery scissors makes trimming excess canvas clean and precise before finishing
If you love stitching architecture of little beach cottages, Nantucket houses, storefronts, lighthouses, or cozy cottages — the corduroy stitch is one of those underrated stitches that can seriously level up your texture game.
It gives you that subtle raised rib look that reads beautifully as:
And the best part? It’s way easier than it looks.



4
The corduroy stitch is a layered straight stitch technique that creates vertical or horizontal ribs — just like corduroy fabric.
Instead of flat coverage like basketweave, you get:
✨ Dimension
✨ Light shadow play
✨ Architectural realism
It’s especially pretty on house canvases where you want the wall to feel alive, not flat.
Use corduroy horizontally → reads like rows of brick courses.
Add slight color shifts → instant aged brick look
Use corduroy vertically → perfect clapboard illusion.
Great for:
Use uneven color blends → gives natural stone depth.
Try corduroy stitch on:
For crisp ribs:
✔ Use stranded cotton or silk (Pepper Pot is gorgeous here)
✔ Avoid super fuzzy fibers
✔ Slight overdye variation = chef’s kiss for brick
For softer painted house look:
✔ Silk + Ivory blends
✔ Matte cottons
✔ Slightly lighter background color behind ribs
The key:
👉 Keep stitch length consistent
👉 Work in rows
👉 Don’t pull too tight (you’ll lose rib dimension)
Once you get the rhythm, it’s honestly relaxing — very “zone out and stitch your tiny dream beach house” energy.

Once you’ve mastered basketweave, there’s another stitch that deserves a permanent place in your needlepoint toolbox: the continental stitch. Simple, versatile, and endlessly useful, continental is one of those foundational stitches you’ll reach for again and again—sometimes without even realizing it.
The continental stitch is a classic tent stitch, worked diagonally across a single canvas intersection. From the front, it looks nearly identical to basketweave and half-cross stitch, but the magic happens on the back of the canvas. Continental creates longer stitches on the reverse, giving it more coverage and stability than half-cross—while still being quicker and more flexible than basketweave.
Think of continental as the stitch that fills in all the gaps—literally and figuratively.
It’s especially useful for:
While basketweave is ideal for large background areas, continental shines when precision matters. It allows you to maintain clean lines and smooth curves without distorting the canvas.
Continental is incredibly handy—but like any stitch, it works best when used intentionally.
Best uses:
Use with caution:
A good rule of thumb:
Big areas = basketweave. Small or detailed areas = continental.
If basketweave is the backbone of needlepoint, continental is the connective tissue. Nearly every decorative stitch builds on these basics, so mastering continental makes learning more advanced stitches far easier down the road.


Needlepoint is one of those crafts where the right tools quietly do most of the work for you. When your supplies are solid, stitching feels smoother, your finished piece looks polished, and the whole experience becomes—dare I say—almost meditative.
If you’re just getting started (or leveling up from beginner to “I know what I’m doing”), here are the true essentials for needlepoint, starting with the most important piece of all.
Let’s not bury the lede: Zweigart mono canvas—specifically mono orange—is the best canvas you can use for needlepoint. Full stop.
Why it matters:
Whether you’re working on 13-mesh, 14-mesh, or 18-mesh, Zweigart mono canvas gives you a professional foundation. Cheaper canvases can warp, shred at the edges, or fight your needle—none of which we want while we’re trying to relax.
This is one place where investing a little more upfront pays off every single stitch.
Threads are where needlepoint gets its personality—and if you want that rich, dimensional, heirloom look, silk and wool threads are your best friends.
Why silk and wool work so well:
Cottons and synthetics have their place, but when you want the best effect—especially for stitched canvases meant to become pillows, ornaments, or framed pieces—silk and wool simply elevate the final result.
Think cozy, not crafty-store shiny.
A good needle should glide through the canvas—not stretch it, split threads, or make you wrestle.
For needlepoint:
Why:
If your needle feels too big, it probably is. Needlepoint should feel smooth—not like arm day at the gym.
While not technically required, stitching on a frame or stretcher bars makes a huge difference.
Benefits:
Once you try stitching with your canvas properly supported, it’s very hard to go back.
The final essentials aren’t fancy—but they matter.
Needlepoint is meant to be slow, satisfying, and calming. Your setup should support that vibe.
Needlepoint doesn’t require a mountain of supplies—but it does reward thoughtful choices. Starting with a great canvas, beautiful threads, and the right needle sets the tone for everything that follows.
When your materials work with you instead of against you, stitching becomes what it’s meant to be:
quiet, creative, and deeply satisfying.
And honestly? That’s the magic.

At BeeBee Designs, needlepoint is more than a pastime—it’s a pause. A return to slow beauty, thoughtful color, and craftsmanship. Your stitching space should reflect that same feeling: serene, intentional, and quietly beautiful.
If you’re dreaming of a cozy needlepoint corner with chinoiserie elegance and coastal ease, here’s how to create a setup that invites you to sit, stitch, and stay awhile.
Your chair sets the tone—and the posture.
Good light is essential—but harsh lighting breaks the mood.The ideal setup:
Choose warm daylight bulbs that illuminate your canvas without washing out colors.
Stitching should feel effortless, not tiring.

Using a stand or stretcher bars:
Practical tools disappear beautifully into a well-designed space.
A tidy setup keeps the stitching peaceful. Keep within reach:
A small lacquered tray or rattan table works perfectly in a coastal-chinoiserie setting.
One project at a time—always.

We recommend:
Organization doesn’t have to be utilitarian—it can be beautiful.
This is where the space becomes irresistible.
Add:
Needlepoint pairs best with quiet comforts.
A beautiful needlepoint space doesn’t need to be large or elaborate. It simply needs to support your creativity and reflect your style. When comfort meets intention, stitching becomes a joy you return to again and again.
Slow down. Stitch beautifully.
And make space for what you love. 🪡💙

Some stitches whisper.
The woven stitch? She speaks—softly, beautifully, with structure and soul.
If you’re looking to add rich texture, visual interest, and a little “how did you do that?” energy to your needlepoint, the woven stitch deserves a front-row seat in your stitch vocabulary.
Let’s break it down.
The woven stitch is a decorative, surface-covering stitch that creates the look of interlaced threads—almost like a tiny basket or textile woven right into your canvas. Unlike basic tent stitches that lie flat, woven stitches add dimension and depth, making them perfect for areas you want to highlight.
Think:
It’s classic. It’s elegant. And yes—it looks more complicated than it actually is.
Here’s why the woven stitch has a loyal fan club:
This stitch is especially stunning in monochromatic or tonal color palettes, where the texture gets to shine without competing colors.
Thread choice matters here—this stitch loves a little body.
Great options include:
Avoid anything too fuzzy or overly delicate—the stitch needs definition to keep that crisp woven look.
This stitch thrives when it has room to breathe. It’s not meant for tiny, tight spaces.
Ideal uses:
If you’re stitching a preppy-coastal or chinoiserie design (hi, welcome, you’re home), this stitch fits right in.his stitch fits right in.
While it looks intricate, the woven stitch is very learnable once you understand the rhythm. If you’re comfortable counting canvas threads and following a stitch diagram, you’ve got this.
Pro tip:
Practice on a small sample first. Once your hands catch the pattern, it becomes almost meditative—over, under, repeat… very soothing, very chic.
The woven stitch is one of those techniques that elevates a piece instantly. It adds texture without shouting, structure without stiffness, and charm without trying too hard.
In other words:
It’s the needlepoint equivalent of a perfectly tailored linen blazer.
Classic. Timeless. Worth learning.
Stay tuned—more stitch tutorials, tips, and design inspiration are coming your way. And if you ever wonder “would the woven stitch work here?”
The answer is probably yes. 💙


If needlepoint had a little black dress, basketweave would be it. Timeless. Dependable. Quietly doing the most.
Basketweave is one of the very first stitches most needlepoint stitchers learn—and for good reason. It’s worked on the diagonal, it’s strong and durable, and it helps keep your canvas smooth and happy for years to come. Whether you’re stitching a coaster, ornament, pillow, or canvas that’s going to see real life, basketweave is your ride-or-die stitch.
Basketweave is a variation of the continental stitch, but instead of working straight across rows, you stitch diagonally, following the natural structure of the canvas mesh. This diagonal path is what gives basketweave its strength and prevents the canvas from warping.
On the front, it looks clean and even.
On the back? A woven, “basket-like” pattern (hence the name) that distributes tension beautifully.
Let’s break down why this stitch is so beloved:
If you’re ever unsure what stitch to use… basketweave is almost always the right answer.
Basketweave is stitched diagonally, usually starting in one corner of an area and working your way across.
Here’s the rhythm:
Think of it like a gentle zigzag dance across the canvas—structured, but relaxed.
💡 Tip: Many stitchers follow a numbered path (like in the diagram above) to stay in rhythm and avoid losing their place. Once your hands learn the flow, it becomes second nature.
Basketweave shines in:
It’s especially great on 13- and 14-mesh canvas, but works beautifully on finer meshes too with the right thread choice.
Basketweave isn’t flashy. It doesn’t beg for attention. But it’s the stitch that quietly makes everything else work—and that’s real needlepoint wisdom.
Once you master basketweave, you’ve unlocked the foundation of needlepoint. Everything else builds from here. One diagonal stitch at a time. 💙

Hello and welcome — I’m so glad you’re here.
If you love needlepoint the way I do — the rhythm of the stitches, the feel of thread gliding across canvas, the quiet joy of watching a design come to life — then you’re in the right place.
I’m the designer behind BeeBee Designs, and this space was created to celebrate all things needlepoint: the canvases, the stitches, the threads, and the simple pleasure of slowing down and making something beautiful with your hands.
Needlepoint has always felt like home to me. There’s something grounding about it — a craft that invites patience, creativity, and just enough structure to let your imagination roam. Over time, that love grew into designing my own canvases and patterns, inspired by classic Southern style, coastal charm, chinoiserie blues, and timeless motifs that feel both fresh and familiar.
What started as a personal passion has grown into a collection of designs meant to be stitched, enjoyed, gifted, and cherished.
This blog is meant to be a welcoming place — whether you’re brand new to needlepoint or have stitched more than a few projects over the years.
Here’s what you can expect:
Down the road, I plan to add videos — showing stitches in action, talking through designs, and sharing behind-the-scenes glimpses into my creative process. For now, this blog will focus on thoughtful posts, detailed visuals, and clear explanations you can return to anytime.
Think of it as a growing reference library — part inspiration, part education, part friendly conversation over sweet tea.
Needlepoint isn’t just about the finished piece. It’s about the time spent stitching, the calm it brings, and the story woven into every thread. My hope is that this website becomes a place you return to for ideas, confidence, and a little creative spark when you need it.
Thank you for being here and supporting independent design and the art of making things slowly and beautifully.
Now — let’s stitch something lovely.
Warmly,
Billie
BeeBee Designs
This year I’ve been busy creating designs, both digital and printable. What funMs BeeBee Designs.Please check it out 



Tourists come to visit and love to comb the beaches for sea treasures. Certain times of the year, sand dollars and sea biscuits wash ashore. Although the sand dollar and sea biscuit fall under the same family, they are quite different in shape and size. i get asked what is this called? Is this a Shell? Is it an animal? Id like to share some of the differences of each.
*The Distinction Between Sand Dollars and Sea Biscuits: Exploring Their Unique Characteristics and Environments**
Physical Differences:
Sand dollars are flat and round, resembling small, smooth discs that typically measure between 2 to 4 inches in diameter. In contrast, sea biscuits have a thicker, dome-like shape and can grow up to 5 inches across.
Habitats:
Sand dollars typically inhabit shallow, sandy, or muddy bottoms along coastal areas. Sea biscuits, on the other hand, favor slightly deeper waters while also enjoying sandy ocean floors.
Classification:
Both sand dollars and sea biscuits are part of the echinoderm phylum and fall under the class Echinoidea. Sand dollars are mainly found in genera such as Dendraster and Echinarachnius, while sea biscuits are usually classified under the genus Clypeaster.
Behavior and Ecology:
Sand dollars feed on tiny particles like plankton and bacteria, using their small spines to guide food toward their mouths. In contrast, sea biscuits consume algae and organic matter, utilizing their larger spines to sift through the sediment. Both of these fascinating creatures reproduce through external fertilization, releasing eggs and sperm into the surrounding water.
Conservation and Human Interaction:
These creatures are popular among collectors, which can have a negative impact on their populations. Conservation efforts aim to address this issue by establishing marine protected areas and implementing regulations on the collection of these marine animals.
Sea Biscuits:
Sea biscuits, often referred to as “sea cookies,” embody a profound connection to the ocean and its wealth. They serve as a reminder of the rich marine life and the stunning beauty of coastal environments. The thicker, sturdier structure of sea biscuits also symbolizes strength and resilience, showcasing their ability to withstand strong currents. In various cultures, sea biscuits are seen as harbingers of good luck and protection, often kept as talismans that bring positive energy.
Using treasures from the sea, I create prints and decor that can be used in a coastal theme. Sea Biscuit Napkin Rings

I just love the way they bring a tablescape to life . I hope this little article has helped in your knowledge of coastal finds.
When it comes to finding your zen, breathing and meditation are like the dynamic duo of relaxation. While they might seem similar, they each have their own vibe and benefits.
Breathing techniques are all about harnessing the power of your breath to calm your mind and body. Whether it’s deep belly breathing or the quick and energizing breath of fire, these techniques can help you reset in just a few minutes—perfect for those hectic days when you need a little pick-me-up.
On the flip side, meditation takes things a step further by encouraging you to dive deep into stillness and mindfulness. It’s not just about focusing on your breath; it’s about creating space in your mind to let go of thoughts and simply be present. You can meditate while focusing on your breath or even with guided imagery—whatever floats your boat!
So whether you’re looking for a quick fix with some breathing exercises or ready to settle into a longer meditation session, both practices offer fantastic tools for enhancing your well-being. Why not mix them up? A few minutes of deep breathing followed by some quiet reflection could be just what you need!
Different techniques I use
Meditation: Like breathwork, meditation focuses on mindfulness and can help calm the mind and body1.
Yoga: Combines physical postures, breathing exercises, and meditation to promote relaxation and reduce stress.
Progressive Muscle Relaxation: Involves tensing and then slowly relaxing different muscle groups in the body to reduce physical tension and stress.
Guided Imagery: Uses visualization techniques to help you imagine a peaceful scene, which can promote relaxation.
Tai Chi: A form of gentle exercise that combines slow, deliberate movements with deep breathing and meditation.
Somatic Exercises: These involve paying attention to bodily sensations and moving in ways that help release tension, such as shaking, tapping, or dancing. (this is a fun one also)
Mindfulness Practices: Techniques like body scanning, where you focus on different parts of your body and notice any sensations, can help ground you in the present moment.
Standing grounded is the key. Breathe with gratitude.
Visuals are helpful in reminding us to breathe and keeping gratitude during the everyday tasks we do. You might enjoy this Seaglass Print . Click the link below

The serving shells are available at
Food safe oyster shell serving dish for butter and cocktail sauce. Salt and pepper.
Packaged boxed with salt and pepper bottles plus serving spoons. Great homewarming, wedding,unique gift.
Each set is ready is packaged and ready for gifting. The oyster shells are from North Carolina. While you are enjoying the beauty of oyster shells, take time to read alittle history about North Carolina Oysters
Fishing was and is a way of life for the islanders, deeply rooted in their history and traditions.
As as the demand for oysters grew, so did the number of outsiders looking to exploit the precious resource. The government survey was just the beginning, a seemingly innocent act that quickly turned sour. The off-islanders saw an opportunity to seize control of the oyster beds, ignoring the long-established rights of the Ocracokers.
Faced with this threat, the islanders banded together, a small but determined force ready to defend their livelihood and way of life. The conflict escalated rapidly, with acts of piracy and attempted murder shocking the quiet streets of New Bern. The stakes were high, not just for the Ocracokers, but for the preservation of an entire fishery and the delicate balance of the ecosystem.
As news of the conflict spread, it drew attention from all corners. Concerned citizens, environmentalists, and even some sympathetic government officials joined forces with the Ocracokers, recognizing the importance of protecting this endangered fishery. The battle for control of the oyster beds became a symbol of the fight against greed and exploitation.
In the end, the conflict was resolved through diplomacy and legal means, rather than through bloodshed. The Ocracokers’ rights were upheld, and stricter regulations were put in place to protect the oyster beds from overharvesting. It was a victory not just for the islanders, but for the future of sustainable fishing practices.
Today, the oyster beds of Ocracoke Island stand as a testament to the resilience and determination of a small community. Visitors come from far and wide to savor the taste of those crisp and briny eastern oysters, knowing that each bite represents a triumph over adversity. The story of the oyster wars may be a footnote in history, but its significance echoes through the generations, reminding us of the importance of preserving our natural resources and standing up for what we believe in.
For more indepth information about the North Carolina Oyster War, please visit North Carolina Oyster War
Visiting the Island of Okinawa, Japan for the first time…I first heard of sea glass. I searched the Internet and discovered all about it and how addicting it can be searching for it! I spent five days on the beach and began a new hobby! I lost count how many hours and times I went to several different beaches. I soon had a good start on my collection! I discovered that there are a lot of brown pieces, probably beer bottles. I also discovered lots of white or clear frosted pieces as well. I found emerald green and lime green pieces, but they were mostly tiny pieces. I also found a couple pieces of cobalt blue….my greatest finds were one purple, and one yellow piece. It’s hard to believe how excited one gets during their search and find! One important note…I quickly discovered the difference between an unseasoned and seasoned piece of sea glass! I actually felt like I was saving pieces for future sea glass hunters by throwing the unseasoned pieces back into the sea! Both of the beaches I mentioned are safe park beaches with lots of shells, corral, and sea glass…although Torii Beach is on an Army Military Base…you would have to have access to visiting this beach. These are both located on the Southern West Coast of Okinawa….otherwise known as the East China Sea. Happy hunting!


In the nineteenth century the system was rediscovered by a man called Dr Mikao Usui.
Reiki roots come from India having passed through Tibet and China to Japan where Dr Mikao Usui rediscovered it. He was a Christian headmaster and minister at Doshisha University in Kyoto, Japan.
One Sunday morning some of his students asked him whether he really believed the stories about Jesus’ miracles and especially his healings. Usui answered that yes, he did believe that Jesus performed miracles and healed people. The students said that they were too young to believe, they needed proof. Usui took his students literally and left his post at the university in search of the answers to these questions. Dr Usui wanted to explore his religion and went to the United States where he studied the Bible and Christian scriptures, but could not find the formula for how Jesus performed his healings. So he studied Buddhism as he knew the Buddha also healed the sick. Seven years later Usui returned to Kyoto in Japan where he learned Sanskrit, the sacred and ancient language of India where Buddha was born. Only then did he come across some symbols that described how Buddha did his healing. To achieve a healing power from inside, Usui decided to meditate and fast on the sacred mountain. Kurayama, seventeen miles from Kyoto.
Having climbed the mountain, Dr Usui settled down to meditate and fast for 21 days in the hope he would accomplish his task. It was on the last morning just before dawn that he saw a flickering light on the horizon that came closer and closer. Dr Usui became quite frightened, but he was brave and faced up to this bright light which as it got close it turned into a white beam that hit him between the eyes. It was so powerful that Dr Usui fell down, unconscious. When he came round, he looked up at the sky full of all the colours of the rainbow dancing in front of his eyes. Then the sky turned into what looked like a huge white screen showing the symbols that he had seen in the Sanskrit scriptures written in gold letters. As they vibrated in front of him, their use and meaning were transmitted to him and they seemed to say Remember, remember, remember!
When Dr Usui came to, he was filled with light and energy even though he had fasted for 3 weeks. This was the first sign for Dr Usui that he had received something on the mountain. He was so excited that in his haste coming down the mountain, he stubbed his toe so badly that it was bleeding. Automatically he put his hand over his toe and the bleeding and pain went away. For Usui this was the second miracle of the healing energy of Reiki.
Further down the mountain, Usui came across an outside snack bar so he ordered a traditional Japenese breakfast. The owner advised him to just have something simple to break the fast gently, but Dr Usui insisted on a full meal. When the old mans grand daughter came with his breakfast, he could see the girl had been crying and that her face was swollen. She told him she had toothache from an infected tooth, and when he placed his hand over the aching tooth the pain went away almost immediately. This was the third proof of the Reiki energy and the fourth miracle for Dr Usui was the fact that he could digest his whole breakfast without getting indigestion!
This description is from the book and quoted.
While in the states, I became interested in Reiki and pursued investigating. I was open to learning if this healing technique was valid in modern medicine. I was surprised to learn that many doctors and medical staff perform reiki prior to surgeries and follow ups in healing.
I have been busy traveling and not able to post as often as before. I just have to tell you about my latest adventure. Traveling took me to Japan. I experienced from a local’s view. I stayed in a small fishing village called Taiza. It is right on the coast of the Sea of Japan and at night you heard the waves hitting on the rocks. The sunrises are spectacular. The weather was a perfect 72 degrees with sunshine. Memories of this trip are Japanese drink a lot of saki. And they love their raw foods. Luckily for me, they have 7/11 stores in every town, even the little towns and I was able to find chicken nuggets.
The highlight of my trip was Mt. Kurama. I developed an interest the study of Reiki. More, reiki was sent to me. A friend of mine, who is a retired NASA researcher, who now is earning his degree in transpersonal studies, to add to his bachelors in Foreign Service introduce it to me. He had traveled extensively to Japan during his career with NASA and at dinner, we were discussing beliefs and faith and the subject of reiki came up.
What is reiki ? The word reiki means light and energy. In a nutshell, it is the energy of the cosmos and the energy of ourselves. It is healing practice that is passed down from one master to another. I became interested.
Now why would I want to go to Mt Kumara ? The master of Reiki, Dr Mikao Usui , climbed Mt. Kurama and found a spot to meditate for 21 days. He went to find spiritual guidance and enlightenment. He was disappointed as he felt nothing life altering . On the 21st day, he decides he would leave the mountain and while going down the mountain, he stumped his toe. As he was checking the wound and touching it, it started to heal. He felt energy through his hands. He did not understand and was in disbelief, but yet, he saw the healing.
Please follow this link to know more about Dr. Mikao Usui . It is an extraordinary story . The history of reiki along with the healing properties and even how it is used today is astounding.
So with my love of reiki and being in Japan, I was set to climb to the site where Master Usui sat for 21 days. The mountain is 1918 ft . The trek to the top was winding and shrines dotted the way all the way to the top. It took me three hours to reach the shrine of Master Usui. The roots of the majestic cedars are still there and the cedars are gorgeous. The wind blowing through them gives you feel of other worldliness. It is peaceful. Very peaceful. I meditated and gave prayers and the symbols of reiki to receive the energy of the universe.
The experience is another post in its self and maybe one day , I will share it. However this post is about the trek up the mountain. You know while climbing it is sacred. You sense the light and you sense the presence of the masters and monks before you, that have traveled this path for guidance. Once climbing it and coming back down, I am sure you will be changed. You will feel the vastness of our world and the power, ki , of the universe

